銅(tong)(tong)(tong)鐘(zhong)(zhong)早在(zai)(zai)原始(shi)社會，作(zuo)為禮器出現，是(shi)一種簡單的(de)(de)樂器，隨著青銅(tong)(tong)(tong)文化(hua)的(de)(de)開始(shi)，在(zai)(zai)商(shang)周時期出現了青銅(tong)(tong)(tong)鐘(zhong)(zhong)。首先銅(tong)(tong)(tong)鐘(zhong)(zhong)作(zuo)為樂器用(yong)來祭祀或者宴饗。其次銅(tong)(tong)(tong)鐘(zhong)(zhong)發音宏亮(liang)而悠揚，在(zai)(zai)佛教傳入中國開 始(shi)，銅(tong)(tong)(tong)鐘(zhong)(zhong)就逐漸成為佛教寺院中不(bu)可缺少(shao)的(de)(de)法器。再者鐘(zhong)(zhong)和鼎(ding)一樣，也是(shi)統治階級(ji)王(wang)權的(de)(de)象(xiang)征(zheng)。

    銅(tong)鐘(zhong)就有很高的(de)(de)(de)價(jia)值。首先具有寶貴(gui)(gui)而豐(feng)富的(de)(de)(de)史(shi)料。古代鑄(zhu)造的(de)(de)(de)鐘(zhong)，除了(le)(le)雕鑄(zhu)一些圖(tu)案，還有文字(zi)或者吉祥用語，或紀實記(ji)事。因(yin)此古銅(tong)鐘(zhong)不僅在文字(zi)發展史(shi)上，更在古代社會、政治、思(si)想、文學等各方面的(de)(de)(de)研(yan)究提供(gong)了(le)(le)寶貴(gui)(gui)而豐(feng)富的(de)(de)(de)史(shi)料，同時(shi)體現(xian)出了(le)(le)我(wo)(wo)國(guo)古人(ren)的(de)(de)(de)高超技(ji)術。再次中(zhong)國(guo)是鐘(zhong)的(de)(de)(de)故鄉，是中(zhong)國(guo)銅(tong)文化的(de)(de)(de)重要組成部分(fen)，是我(wo)(wo)國(guo)古代工(gong)藝技(ji)術的(de)(de)(de)精(jing)華，代表了(le)(le)當(dang)時(shi)的(de)(de)(de)鑄(zhu)造、聲學、力學等高超技(ji)術水平，更是研(yan)究我(wo)(wo)國(guo)傳(chuan)統(tong)科技(ji)的(de)(de)(de)寶貴(gui)(gui)實物。

    銅(tong)鐘制作流程首先是泥塑(su)的塑(su)造(zao)(zao)，然后(hou)翻制(zhi)陰模(mo)，翻制(zhi)陰模(mo)后(hou)再翻制(zhi)陽模(mo)，實(shi)際上是一個材料轉(zhuan)(zhuan)換(huan)的過程(cheng)，即從(cong)可塑(su)性膩之(zhi)品(pin)轉(zhuan)(zhuan)換(huan)到(dao)石膏和玻璃鋼進(jin)行定型、最(zui)(zui)后(hou)送(song)到(dao)專業鑄造(zao)(zao)廠(chang)進(jin)行最(zui)(zui)后(hou)的鑄造(zao)(zao)過程(cheng)。每(mei)件銅鐘都是需要經過最(zui)(zui)少11道復雜嚴(yan)謹的工(gong)(gong)序制(zhi)作(zuo)而成，這些工(gong)(gong)序中既(ji)有傳統手(shou)工(gong)(gong)藝的痕跡，也有精密(mi)鑄造(zao)(zao)的現代技(ji)術精彩(cai)所在。

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